Portfolio

Brands.Visions.Stories.

Photographs and videos produced by DELFI for our clients.

Explore the productions

Liverpool

Chapter 01
4 photos · 4 videos
Mexico · Since 1847

A history that dresses Mexico.

Liverpool began in central Mexico City in 1847. Its story traces the journey from garment trading to a network of department stores and online retail in Mexico. That continuity makes its name stand for much more than a single season.

In DELFI’s work, the brand takes on different settings: city, coast, landscape and childrenswear. Each scene offers another way to look at the garment.

Brand history · Sources and contextLiverpool — source 1 ↗

Visual interpretation: DELFI. Descriptions analyse the pieces; they do not represent client briefs or reported commercial results.

Liverpool · Photography 01

A print finds its setting.

The yellow wall echoes the warmth of the dress; the sea adds contrast. The complete silhouette and print remain at the heart of an editorial composition.

Liverpool · Photography 02

The city dresses up, too.

The trouser stripes converse with the architecture. The blue shirt opens up the palette and the gesture brings life: the look reads as both an outfit and an attitude.

Liverpool · Photography 03

The elegance of a pause.

The seated pose reveals the jacket and trousers in another position. Sky, skin and tailoring create a quiet scene, with the product in the foreground.

Liverpool · Photography 04

A silhouette with room to breathe.

The long dress unfolds beside the pier. Its pattern and volume interact with wood and water: the setting supports the look without erasing its details.

Liverpool · Video / Adults

Two landscapes. One editorial vision.

In the adult production, the setting also tells the story. The countryside complements the womenswear; a mountain landscape shapes the male character’s presence. Two pieces that explore how a collection can inhabit a setting.

2 videos
Liverpool · Video 01

Landscape as atmosphere.

Wardrobe and landscape share the scene. Video lets us appreciate the piece as a sequence rather than a single frame, exploring the relationship between character, garment and setting.

Liverpool · Video 04

Editorial presence.

Face, garment and landscape establish a shared tone. The film invites us to discover how that atmosphere develops and what the sequence adds to the character’s presence.

Liverpool · Video / Childrenswear

The product, on a child’s scale.

Childrenswear changes the pace: clean backgrounds, expression and garments in focus. One piece takes a closer look at the baby and outfit; the other reveals the vest, layers and footwear. Two ways to give details room without competing scenery.

2 videos
Liverpool · Video 02

The intimacy of childrenswear.

Expression and garment scale take centre stage. A clean background leaves room for the character and outfit, so their details need not compete with the setting.

Liverpool · Video 03

Detail gives character.

The motif on the vest defines the look. A full-length view brings together layers, proportions and footwear, retaining a playful character and a clear view of the clothes.

Falabella

Chapter 02
4 photos
Chile · Since 1889

From a tailor’s shop to a regional vision.

Falabella’s story began in Santiago, Chile, in 1889, with a tailor’s shop. Today its retail operation brings together stores and digital channels in Chile, Peru and Colombia. Fashion, variety and regional reach form part of its identity.

This DELFI series explores a precise idea: giving footwear character without sacrificing product clarity. Four images, four ways to direct attention to what matters.

Brand history · Sources and contextFalabella — source 1 ↗Falabella — source 2 ↗

Visual interpretation: DELFI. Descriptions analyse the pieces; they do not represent client briefs or reported commercial results.

Falabella · Photography 04

Black, in a different light.

Pale stone, shadow and black footwear build contrast. The outdoor scene adds depth while keeping the silhouette legible: the setting enriches the image without becoming its subject.

Falabella · Photography 01

A line that guides the eye.

The stool and pose organise the composition. Blue connects the sneaker with the denim; the footwear profile reads clearly. Product and styling share the same frame.

Falabella · Photography 02

The product enters everyday life.

The leather sofa and denim create an everyday setting. A light sneaker stands out through contrast, placing the product in a scene the viewer can imagine inhabiting.

Falabella · Photography 03

Detail sets the rhythm.

Plain trousers give the footwear’s print a voice. The composition concentrates on shape, pattern and pairing, without introducing competing elements.

Leonisa

Chapter 03
4 photos
Colombia · Since 1956

A design story that begins close to the body.

Founded in Colombia in 1956, Leonisa built its history around intimate apparel design and product development. Its expansion includes a US operation since 2005 and international sales channels. Seventy years of evolution give context to a brand where construction, fit and detail deserve a closer look.

In this DELFI series, a look goes beyond its first impression. Front, back and fabric detail offer complementary views; a second outfit expands the styling language.

Brand history · Sources and contextLeonisa — source 1 ↗Leonisa — source 2 ↗

Visual interpretation: DELFI. Descriptions analyse the pieces; they do not represent client briefs or reported commercial results.

Leonisa · Photography 01

Colour and gesture move together.

Yellow separates from the blue background, making the garment immediately recognisable. The pose adds energy; a full-length frame shows length, sleeves and styling without losing its fashion sensibility.

Leonisa · Photography 02

Another way to tell the look.

A denim jacket and light dress introduce a different relationship between layers and proportions. A shared background connects the series: the styling changes, while the visual direction remains consistent.

Leonisa · Photography 03

The back tells a story, too.

The turn reveals a back detail that a front view cannot explain. Continuity of model, colour and background makes this image complement the first rather than compete with it.

Leonisa · Photography 04

Texture deserves its own frame.

Moving closer to the fabric changes the pace. Weave, relief and finish become the subject, revealing a dimension of the product that is lost at a distance.

LEO

Chapter 04
4 photos
Colombia · Part of Leonisa

Textile expertise, translated into menswear.

LEO belongs to the Leonisa family, bringing its product-development experience to menswear. Its range combines underwear, sportswear and outerwear, with official channels in Colombia and the United States. That continuity connects different moments of the day through a recognisable product identity.

In this DELFI production, restraint makes room for the product. Lighting, background and scale stay consistent across garments, while different angles reveal their distinctions.

Brand history · Sources and contextLEO — source 1 ↗LEO — source 2 ↗LEO — source 3 ↗

Visual interpretation: DELFI. Descriptions analyse the pieces; they do not represent client briefs or reported commercial results.

LEO · Photography 01

The precision of simplicity.

A white T-shirt stands out against a neutral palette. The full-length view shows how it falls within the outfit; an understated gesture keeps attention on the product.

LEO · Photography 02

What a turn reveals.

The back view of the overshirt shows length, volume and drape. It adds information beyond the front view, with comparable scale and no distractions.

LEO · Photography 03

An essential with presence.

The black polo contrasts with the light background. Collar, opening and silhouette are defined by a restrained composition; the pose adds character without overloading the scene.

LEO · Photography 04

A look built in layers.

The open overshirt reveals the T-shirt and shows how the two pieces work together. Neutral styling keeps the focus on green, while the pose gives the outfit a natural reading.

Topper

Chapter 05
11 photos · 4 videos
Argentina · Since 1975

From sport to the street. An identity in motion.

Topper began in Argentina in 1975, rooted in sport. Its current offer in the country includes footwear, apparel and accessories for adults and children. That breadth connects sport with everyday life, through an identity expressed in both a complete outfit and a single sneaker.

DELFI’s work explores that variety through urban scenes, playful perspectives, childrenswear and film. Footwear runs through the story, taking the lead in different ways without making every image say the same thing.

Brand history · Sources and contextTopper — source 1 ↗Topper — source 2 ↗

Visual interpretation: DELFI. Descriptions analyse the pieces; they do not represent client briefs or reported commercial results.

Topper / Adults

The city as a meeting point.

Footwear, apparel and accessories in urban settings. Four images that alternate between the product itself and the complete look.

Topper · Photography 01

Footwear takes the lead.

A pair held in front of the torso introduces a different scale: not an accessory at the end of a look, but the centre of the composition. The T-shirt palette echoes the sneakers.

Topper · Photography 04

The look inhabits the city.

Shutter and railing lines create a graphic scene. Dark clothing defines the silhouette and light footwear creates a focal point: urban context and product clarity coexist.

Topper · Photography 05

An accessory can carry a story.

A rear view makes the backpack the subject. Compartments, volume and straps are visible; the figure provides a sense of scale in a restrained urban setting.

Topper · Photography 08

Another attitude, the same identity.

The standing figure makes the complete outfit legible. Building lines reinforce the vertical and reveal proportions; light footwear anchors the composition against dark clothing.

Topper / Childrenswear

A different scale. All the energy.

Low angles, gestures and interactions between characters: seven photographs where footwear stands out without losing sight of the garments and outfits.

Topper · Photography 02

A pose that changes perspective.

The leaning body breaks the vertical lines of the setting and adds energy. Jacket, trousers and sneakers remain visible together, without relying on a fantasy backdrop.

Topper · Photography 03

Perspective takes centre stage.

A low camera brings the sneakers closer and amplifies their presence. The seated pose organises the relationship between footwear and outfit; the sky gives the frame room to breathe.

Topper · Photography 06

Two characters, one shared world.

The composition brings two outfits together without losing the footwear. Proximity to the ground and interacting poses add energy, connecting garments and accessories in one shared world.

Topper · Photography 07

Styling as a conversation.

Both characters share architecture and palette but retain distinct silhouettes. Jacket, trousers and sneakers work together without making the outfits uniform.

Topper · Photography 09

A pause can carry energy.

The seated character brings a sneaker towards the viewer. Architecture establishes the scene, while pose and perspective add depth, placing the product in an everyday attitude.

Topper · Photography 10

An image that reaches out.

A low angle and extended foot give the footwear immediate presence. Sky and facades expand the space, exploring a more expressive approach to childrenswear.

Topper · Photography 11

The product at a different scale.

The sneaker dominates the foreground, with the figure behind it as a reference. This shift in scale focuses attention on the shoe’s shape in a deliberately expressive composition.

Topper · Video

One brand. Different ways to come to life.

Discover what motion brings to each piece in this production.

4 videos
Topper · Video 01

The garment enters a sequence.

T-shirt and trousers appear on the body in a moving-image piece. Following them across frames reveals what time adds to the reading of an outfit.

Topper · Video 03

Footwear with an editorial language.

The sneakers occupy a composition built around their shape and colour. The film puts the product at the centre of a conceptual story, beyond the usual on-foot view.

Topper · Video 04

An outfit finds continuity.

The frame connects trousers and footwear so they can be understood together. Video lets that pairing unfold through a sequence, keeping attention on the relationship between garments.

Topper · Video 05

A closer look changes the reading.

A close-up gives laces, panels and the visible texture of white footwear the leading role. The film invites attention to details that a full-length frame places in the background.

Ripley

Chapter 06
5 photos · 1 video

Ripley / The story begins in motion

A presence that finds its voice.

Ripley · Video 01

When an image finds a voice.

Character and graphic message share the frame. The piece adds an audiovisual dimension to the case; it is presented as brand content, not as a verified testimonial about DELFI’s results.

Chile · Origins in 1956

One retail brand. Many ways to dress.

Ripley’s origins go back to a clothing business established in Chile in 1956. Its retail operation spans Chile and Peru, with department stores and online channels. Fashion, accessories and a broad range of categories give it a significant place in both countries’ retail landscapes.

DELFI’s work brings two visual languages together: an urban scene with character and neutral-background photography that focuses on the outfit. A film adds its own narrative register.

Brand history · Sources and contextRipley — source 1 ↗Ripley — source 2 ↗

Visual interpretation: DELFI. Descriptions analyse the pieces; they do not represent client briefs or reported commercial results.

Ripley · Photography 01

The city adds character.

Stone and architecture bring texture to the scene. A seated pose gives the outfit a relaxed attitude; clothes, sneakers and accessories create a styled image rather than an isolated product view.

Ripley · Photography 02

The whole look, at a glance.

Jacket, top and long denim stand clearly against a neutral background. Red footwear creates an accent that guides the eye and completes the silhouette.

Ripley · Photography 03

A new proportion changes the outfit.

Short denim and a wide stance shift the balance. Jacket, legs and sneakers remain visible, allowing another combination to be compared within the same visual direction.

Ripley · Photography 04

A palette that connects layers.

The brown jacket and burgundy trousers establish a tonal relationship; a light top adds contrast. A full-length view shows each garment’s role in the overall silhouette.

Ripley · Photography 05

A second reading of the same look.

A change in posture can alter the perception of waist, drape and proportion. This image complements the outfit without introducing a distracting setting.

Shyla

Chapter 07
2 videos
Mexico · Since 1967

Mexican tradition, told through detail.

SHYLA began in Mexico in 1967. Its history brings together clothing manufacture, uniforms and outerwear. Its website features Mexican-made products and stores in Mexico City, Puebla and the State of Mexico. A focus on materials and finishes invites a closer look.

In DELFI’s films, outerwear takes centre stage. Two colours, two compositions, one shared interest: giving volume, stitching and accessories a presence within the language of moving images.

Brand history · Sources and contextShyla — source 1 ↗

Visual interpretation: DELFI. Descriptions analyse the pieces; they do not represent client briefs or reported commercial results.

Shyla · Video

One brand. Different ways to come to life.

Discover what motion brings to each piece in this production.

2 videos
Shyla · Video 01

Outerwear builds a character.

The burgundy coat combines with a hat and glasses to give the piece a recognisable identity. A close frame invites attention to quilting, collar and layering within the film.

Shyla · Video 02

Black retains its nuances.

A dark garment needs its volume and divisions to remain visible. A clean background reveals the quilting and silhouette, focusing on the coat and its presence on the body.

The next chapter

Your brand has a story.
Let’s make it visible.

Let’s talk about your collection

Every piece in this portfolio was produced by DELFI for the named client. Each brand’s history and presence are documented in the accompanying sources. Visual interpretations do not imply measured commercial results.

DELFI production for Liverpool
Liverpool · DELFI production
DELFI production for Topper
Topper · DELFI production
DELFI production for Falabella
Falabella · DELFI production

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